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painting for eternity

design of the chapel of St. George of Kratovo in Dusseldorf

Chapel of St. George of Kratovo and Serbian Orthodox church of St. Sava in Dusseldorf

The Church of Saint Sava Dusseldorf-Lichtenbroich (Wanheimerstraße 54) with the frescoes of the Serbian painter and art professor Miroslav Lazović I had already been presented in a previous blog entry . Today I would like to introduce the mosaics in the chapel built in 2007 of St. George of Kratovo where Miroslav Lazović currently works. The mosaic as a painting technique is already known since ancient times, the oldest Sumerian mosaics were found in Mesopotamia.

Miroslav Lazović (June 17, 1959 in Prokuplje) dominates different painting techniques - mosaic, fresco, wall painting and stained glass, and he always follows his own intuition. It may, on a variety of work in this Reference range, his most important works are the mosaics in the town hall in Despotovac , the mosaic of the ethno-village Stanišić near Bijeljina , the mosaics of the Serbian Orthodox church of St. Sava in Emir Kusturica's "Wooden city " coastal village on Mount Mecavnik west of Mokra Gora , the mosaic of the rehabilitation clinic in Ribarska Banja already mentioned frescoes in the church of St. Sava in Dusseldorf , the mosaics for the Church in Podgorica , the wall paintings in Kraljevo ... ( Listing not limited to ) for his work in of Churches of the Holy Martyr George in Hrtkovci he was honored by the Synod of the Serbian Orthodox Church and the Order of Saint Sava of the second degree.

Miroslav Lazović and his assistant, Biljana Velinović work in the limited time hard on the mosaics in the chapel of St. George of Kratovo. 16 hours they need to arrive by car from Belgrade to Dusseldorf, and teaches as Miroslav Lazović also at the Faculty of Applied Arts of the University of the Arts in Belgrade, he can push each only a few days for his work in Germany.

mosaic in the dome of the chapel of St. George of Kratovo

for the work in the dome of the chapel had the artists often come down from the scaffolding in order to control the perspective from the ground. Because of the curved surface is clear from the immediate vicinity of an entirely different impression. Anyone who has ever climbed the dome of a church that knows this phenomenon.

Biljana Velinović working on the mosaic in the sanctuary

The mosaic in the sanctuary of the chapel, the two artists had begun the day before, St. Mary's figure in the center is already very good to see. How complex is the mosaic technique, one can probably only appreciate when you have professionals looking over his shoulder. Thousands of parts in the right color and shape have to be laid by hand in the fresh mortar to give at the end of your subject.

mosaic in the chancel of the chapel